Local artist Lee Casey has followed up his ‘Pompey Legends’ and ‘In Guy We Trust‘ prints with a celebration of his favourite Portsmouth FC shirts over the years. You can get your hands on one for £30 or the set of four for £80 at www.caseyjuniorart.bigcartel.com.
You can stay up to date on all things Casey on Twitter @leemfcasey.
Part two of Strong Island Recordings Presents ‘Drunken Sailor’ highlights the more eclectic nature of our Southsea Fest stage with the immensely talented Eloise Keating making her Southsea Fest debut. Smouldering with infectious, melting vocals, singer-songwriter-producer Eloise Keating creates gorgeous, electronic dream like pop with influences ranging from Lana Del Ray, James Blake to fellow Hampshire starlet Laurel. Having already gained support from the likes of Rob Da Bank as well as much coverage on the blogosphere, there’s no doubting Eloise’s uncapped potential evident in the spine tingly brilliant self written and produced ‘Be My Ghost’.
Having played to a very hefty crowd at Victorious Festival enchanting the crowd with her phenomenal vocal ability, with the right direction Eloise will certainly be a talent playing much larger venues in the future and shall be a name on many folks lips. You can catch Eloise at 14.25pm at our stage at Southsea Fest in Bar Fifty-Six.
You can find the Facebook event here and also be sure to check out our stage sponsors The Park Studio.
Local artist Pete Codling is currently running a Kickstarter Campaign for an awesome project ‘Dust to Dust’. Pete is looking to create a limited edition artist book that documents an enormous temporary wall drawing that he created back in 2011. The hardback, gift boxed book with guest essays and a unique artist commentary.
The limited edition 300 page book is an artwork and collectors item, there will only a hundred made. The funds will pay for the production and professional design prep for print. Any profits and extra pledges made from the sale of this book will help Pete continue his studio work and fund new artworks of this scale and quality.
For more information please visit Pete’s Kickstarter Campaign HERE. This is a great project for one of Portsmouth most cherished artists and the campaign runs until the end of the week. The minimum donation is £1 and every penny that you can spare helps!
For more information on Pete Codling you can follow him on Twitter @petecodling and check out his website www.petecodling.wordpress.com.
South-Central is an exciting new opportunity for artists based within 90 minutes travel time of the Aspex Gallery in Gunwharf Quays.
South-Central is a new open submission group exhibition, which seeks to highlight the work of emerging visual artists working in any media but living within 90 minutes travel time of the gallery. There are no age restrictions, but undergraduate students must be in their final year of study. The exhibition is not themed.
The selected artists will exhibit their work in a group show in the main gallery space at Aspex. The overall winner will then work with the aspex team to produce a solo exhibition, either at the gallery or offsite within the City of Portsmouth.
• Joanne Bushnell, Director of Aspex
• Stephen Foster, Director, John Hansard Gallery
• Judy Adam, Independent Curator
• Jonathan Parsons, Artist
The deadline for submissions is Monday 5 October 2014 and the exhibition dates are 21 November – 18 January 2014. Applicants can find out how to apply HERE.
Regional artists and designer-makers will exhibit and sell their work to the public on this weekend on the 9th and 10th of August. After the success of the inaugural event back in February, Aspex will once again be handing over its main exhibition space to showcase some of the very best contemporary craft in the region.
A full list of the exhibitors selected by aspex is now available, and features some of the very best contemporary craft in the region, across a range of artistic media, including jewellery, ceramics, printmaking, glass, textiles, amidst others.
Aspex Venue Co-ordinator, Julia de Klerk, said: “The team at aspex were really excited by the response we have had to our second Contemporary Makers Fair, which demonstrates the wealth of talent in the region. Events like this allow our audience to interact directly makers and artists, revealing the creative process and providing a valuable opportunity to sell direct to the public”
The Contemporary Makers Fair will be open from 11-5 each day, admission is free.
Full List of Exhibitors:
• Catherine McGinness
• Laura Bennett
• Petting Zoo Prints
• Kate Bishop
• Julie Chappell
• Suzie Darcell
• Carina de Jager
• Catrin Dudfield
• Aniko Gajdosci
• EM Jewellery
• Charlotte Leftley
• Carly Mann
• Kelly Ottesen
• Vicky Saragouda
• Linsey Sinclair
• Kathy Williams
• Sally Woodford
Laura Bennett ‘Honesty Dome Necklace’
Laura Bennett ‘Nature of Fragility – Thistle Ring’
Kate Bishop ‘Forest’
Carina de Jager
Julie Chappell ‘The Rosy Nibbler Circuit Board Beetle’
Southsea Fest have announced the latest and final line up to the already marvellous bill which already includes the likes of Laurel, Dinosaur Pile-Up, Mazes, Blessa, Menace Beach, Kagoule, Eliza & The Bear and many more including local favourites Rickyfitts and Kassassin Street. The one day, multi-venue urban festival spanning across the intimate setting of Albert Road has pulled absolutely no punches with its latest additions and it looks set to be the biggest and best Southsea Fest yet.
Headlining the Wedge is gnarly hardcore punk, Leeds exports, Pulled Apart by Horses regarded by many as one of the best live acts today with their twisted, amp melting, gut busting ferocious sets. Their last Southsea Fest outing, for those fortunate to catch them was regarded as stuff of legend and with them playing the Wedge this year you’re four times more likely to be able to get a glimpse of their carnage. Along with Pulled Apart By Horses, Brisbane duo DZ Deathrays head back to Southsea and will deliver a face-melting, riot like set of thrash ridden pop. Another huge coup for Southsea Fest and headlining the Kings Theatre is established singer-songwriter Ed Harcourt who shall be a perfect fit for the glorious, Edwardian setting. Also on the bill confirmed is Fat Cat Record’s Glaswegian duo Honeyblood who deliver, scuzzy, grunge tinged, indie pop. Bringing the doom psychedelia and stoner rock is GANG, the latest signings to Strong Island Recordings who are ready to inflict a sonic assault upon senses with ear pounding riffs and gnarling, wailing vocals. Heading back to Southsea Fest is the splendid Talons who create intense and epic instrumental, math-post hardcore rock coated in magnificently building violin sections also coated in merciless riffs. There are numerous other additions as well as in which you can find below.
Tickets are just £18 for what represents an incredible value for money and can be purchased HERE.
Pulled Apart By Horses -Ed Harcourt – Famy – DZ Deathrays – Flyte - Fear of Men – Laurel – Curxes – Talons – Brontide - Blessa – Mazes – Castles – Eliza & The Bear 100 Ounces – Alpha Male Tea Party – Andy Oliveri – Bad Grammar - Battery Hens – Beautiful Boy – Big Fin – Big Sixes – Body Hound - Boy Jumps Ship – Brawlers – Break-Ups - Dear Everyone - Deluxe Flamingos – Doe – Eighteen Nightmares at the Lux – Elephantantrum - Eloise Keating – Emperor Yes – Employed To Serve – Fairweather Band -FALLS – Fickle Friends – Flash Fires – Floella Grace – Fred Page - FURS – Gang – Goodtime Boys – Gossling – Happy Accidents – Happyness - Harker – Holy Kasper – Honeyblood – House of Thieves – Hunter And The Bear - Iced Out – Jesse Wylde & The Stallions – Jimmy Islip and the Ghosts w/ Sam Russo - Joythief – Kagoule – Kassassin Street – Layers – Life – Lillian Todd Jones - LOOKS – Love Park – Lu’Ami – Lucky One Dies First – Lyger - Martha – Matt Emery – Matt Jarvis – Meadowlark – Menace Beach - Michael A Grammar – Natasha North – Nothing But Thieves - Osca – Passport to Stockholm – Pawws – Pedro Donkey - Personal Best – Phoria – Pixel Fix – Popabawa – Prides – Pure Graft - Racing Glaciers – Raglans – Richie & The Remedy - RickyFitts – Rough Hands – SACHA – Saint Agnes - Sam Brothers – Slaves – Spring King – Tangled Hair – Teef – The B of The Bang - The Boy I Used To Be – The Cadbury Sisters – The Cairos – The Lion & The Wolf -The Magic Gang – The Plastic Beats Band – The Prestige - The Proper Ornaments – The Ramona Flowers – The SLM - The Southsea Alternative Choir – ThisPlanet – Thought Forms - Tigercub – Tom Moody – Trampolene – Uncle Luc – Unknown Soldiers – Waylayers - We The Wild – Woahnows – Wildest Dreams
Photographer Chris Brunnen is a local professional photographer who works commercially under CJB Photography and provides a wide range of photography services, including something a little different, Chris specialises in aerial photography. We spoke to Chris to find out more about how he got in to photography and in to this particular specialist field:
Hi Chris, how did you first get interested in photography?
I was introduced to photography when I was about 12 by Neil, my friend and neighbour. He was a few years older than me and was taking lessons at his school when he came home one day with an envelope of black & white prints he’d made and it completely amazed me. I couldn’t comprehend how it was done, I thought the process had to be done in a factory or by a huge company, I had no idea this was something that could be done at home in a darkened room. From that day, I remember the feeling so well, I was hooked, I wanted a camera. I begged my parents but they weren’t about to buy me an expensive piece of kit at that age so they gave me an old Box Brownie. Yes really, that was my first camera! Fortunately Neil’s mum worked in a chemist and knew how to load the camera but he would take the films to school to process them. We would set up scenes in the garden and photograph them, we even re-created the moon landing with Acton Man.
A few years later photography became an option in art lessons at my school and I started using the school’s 35mm cameras and lenses. I learned to process and print them myself and went on to take ‘O’ & ‘A’ Level exams, that introduced me to the practical, theory and history sides of the subject. I also studied art, technical drawing, physics and chemistry, all essential subjects in this field of work.
I went on to study Graphic Design at Art College. I’d originally intended to study Fine Art but I had a falling out with one of the lecturers on the pre-degree course…so I went to Graphics, a department next door to the photographic department where I ended up spending most of my time. The training as a designer I found very useful in photography, composition and layout are similar skills, again very useful background work to becoming a photographer. I find many people get too hung up on the camera, expecting to get great results from buying a big expensive piece of kit, they won’t, any more than buying a Stradivarius will make you a concert violinist. It takes more than that.
What got you in to taking aerial photos?
My first job was at a design & photography firm, I was behind a drawing board one day, behind the camera the next. As that firm grew I found I was spending more time taking photographs than designing and eventually left, with their backing, to set up my own photographic business, CJB Photography, in much bigger premises with a huge studio. Studio work has always been the main stay of my business but aerial photography is my USP.
What was your first experience of taking photos from the air?
A designer client of mine was working for IBM and needed aerial shots of their site at Havant and asked if I could do it…. I said yes. Fortunately they had a significant budget for the job so I hired a helicopter and off I went. While I was up I took a few other shots around Portsmouth and later showed them off to my clients. They met with a great deal of interest and since then, 1987, I’ve been flying virtually every month.
Rare colour aerial photo of Portsdown Park.
Can you describe your go-to camera kit for aerial photography? Any specialist equipment?
With aerial photography it’s all about resolution, the higher the better. Remember the first time you went on Google Earth, I’m betting you went straight to your house and zoomed in as close as you can. Aerial photos are the same and unique in the way they are viewed, make a big print and people just want to get closer, you don’t view portraits or landscapes like that, you’d step back to admire it. With that in mind I use a high res Canon with a wide ranging zoom and image stabiliser, your average DSLR isn’t going to cut it.
Southsea Show from some years ago.
On an aerial shoot are you able to take photos for yourself in the time in the air?
Most of my work is on commission but I do take advantage of my time in the air to build up my Aerial Photo Library, to be found on my web site, where there are now thousands of images for sale.
Any near misses?
The pilots and helicopters I use are all on an Air Operators Certificate for commercial flying and as such subject to strict maintenance schedules and safety regulations so ‘near misses’ don’t happen but I was in a heli with engine failure once, just as we were coming in to land at the airfield so the pilot set it down on the end of the runway, could’ve been worse I guess. Funny thing is, this wasn’t a working flight, I was being taken out to dinner at a hotel by the operator with their other regular clients. All a bit embarrassing for them really.
Close up view of the Spinnaker Tower.
What sort of clients do you work with and where do your photos end up being used/shown?
I’ve been involved with some amazing projects. The construction of McLaren’s HQ at Woking, St Mary’s Stadium in Southampton and recently the Thames Gateway Project. Most other jobs are more mundane but it still gets me up in a helicopter on a regular basis.
Which do you prefer, helicopter or aeroplane?
I don’t use fixed wing, although cheaper, they have wheels and wing struts that obscure the view and are much more unstable. There are some companies that use them but they really are inferior, sorry about the cliché but you get what you pay for.
You can see lots more of Chris’ photography on his website and Facebook page, which he often updates with aerial photos challenging people to guess the location. All photos with this interview are copyright of Chris Brunnen and used with kind permission.
North End from the air.
Low tide in Langstone Harbour.
The glorious Gland Rock belts down into Southsea 5th July in support of the Feel Yourself Campaign. This new Portsmouth music festival takes place across one day in one venue at the Wedgewood Rooms & Edge of the Wedge featuring some the finest bands across the land. Headlined by Creation Records (responsible for the releases of the likes of My Bloody Valentine, The Jesus & the Mary Chain and Oasis) 90’s legends The Telescopes bringing their visceral realm of psychedelic, shoegaze and dreampop along with the likes of God Damn, a mind blowing twosome creating an atomic, thundering racket of noise which is totally perplexing as to how two men can create such a sound that almost defies the laws of plausibility. Along with Bo Ningen, they’re possibly the best live band at the moment and can be found heavily across the festival circuit. Possibly tomorrow headliners but if you feel any seismic activity in Portsmouth, it’s likely due to God Damn.
The line up also sees the weird and wonderful punks Claw Marks fresh from their Sexbeat release (Eagulls/White Lung) and UK tour with Fat White Family as well as scuzz pop duo Playlounge, punk quartet Human Hair, electronic two piece AK/DK, indie/post punk and and Playlounge as well as some of the best locals in the area. Carefully curated, taking quality over quantity the line-up sees thrash duo Rickyfitts who have released on bothStrong Island Recordings and Pie & Vinyl, local cult legends The Demons recently re-releasing ‘Contact High’ getting high praise such as being touted a classic by Backseat Mafia as well as dreampop, shoegaze duo who also create luscious surf like riffs, Wildest Dreams, psych-doom outfit Unknown Soldiers, the bombastic, blitz pop duo Curxes, Eloise Keating who delivers haunting dream pop and colourful indie electro pop 4 piece Deluxe Flamingos.
There will also be a raffle on the day to help raise money for the Feel Yourself Campaign. The raffle prizes include:
- My Dog Sighs Painted Canvas framed by Southsea Gallery
- Victorious Tickets
- Southsea Fest Tickets
- £25 Art Is Hard Records Voucher and Surprise Test Pressing
- Unique Pompey Calendar and David James Painting by Official PFC Artist
- Strong Island Swag
- Pie and Vinyl Swag
- Artwork by amazing local artists (such as mynameisleila and m-one)
- plus much more…
You can listen to the playlist below and tickets can be purchased for merely £10 HERE or on the day, availability permitting.
Creation For Causes is a non-profit project set-up by Danny Wright after he was diagnosed with testicular cancer in September 2013. Since then he’s been given the all clear and his experiences have given him the inspiration to support a variety of causes, in new and exciting ways.
Creation For Causes have just announced our latest project that will raise money for cancer charities. This project features 5 artists creating a t-shirt design each, which will only be printed to 5 per artist – along with these handprinted t-shirts, the artists have designed amazing packaging to put them in!
5 Artists. 5 Designs. Only 5 copies per artist. All for sale and all for charity.
This limited project features work from: My Dog Sighs, Fark Fk, Midge, Myles Roland Bartholomew Design and Phoebe Richardson. All of whom have amazingly donated their time and talent to design their tshirts and boxes.
All of this work will be unveiled on Thursday 22nd May at 101 Reykjavik in Southsea. Free entry. After this, all 25 packages will go on sale on Friday 30th May at 7pm, via www.omkaraclothing.com.
For even more information check out the Facebook page HERE.
Personally, there is something really special about sketching, creating a personal interpretation of a place, a location or even a person through pencil, pen or even on a tablet. The lines flow through a quick look of the eye, straight to the paper, with a real sense of what the artist is perceiving, channelled thought their unique creativity and for many artists done almost instinctually, without being bogged down with second guessing and over thinking. Add to this flourishes of colour with washes of watercolour paint, giving a sense of light and perspective you have an image that captures the location and the moment all through the particular eye of the artist.
The local area has a strong lineage sketch and watercolour artists, over the years including the likes of Gosport’s highly regarded Martin Snape, the very popular nautical scenes of William Edward Atkins and in recent years the striking work of students and locals such as the Portsmouth Scrolls of Arran Mackintosh and the many different sights of Portsmouth captured over recent years by the talented Deane Clark.
Now joining this long and talented list of sketch and watercolour artists is Chris Webb, who’s wide and varied work includes a rather wonderful collection of Portsmouth sketches, awash with colour. I first became aware of Chris’ work very recently with a scene of the old Savoy building on Southsea Seafront but have really enjoyed seeing the previous and new work on Chris’ Urbansketcher Facebook page.
Chris’s work is created either on location or inspired through vintage photographs and Portsmouth itself looks to be a constant inspiration. Many of the original ink and watercolour works are available for sale. Chris updates his Facebook page constantly with works from his sketchbook and much more, be sure to give it a Like, look through the many great pieces of work and get in touch directly if you are interested in buying.
Below are a few of my favourite recent works: