Coastguard Studio this past weekend was host to it’s fifth (if I remember right) exhibition in a matter of six months or so, this one being a spin-off show to to the hugely successful Under the Spotlight exhibition earlier this year. Under the Spotlight | Photography brought together 30 photographers who are either based in Portsmouth or have strong ties with the city and the large open plan gallery space was packed full of diverse and engaging work.
I started off in the bar area, grabbing a beer and then checking out the panels lining the walls to this back space of Coastguard Studio. The first series that caught the eye were a pair of medium format, multiple exposures by Matt Ankers. I’ve seen a lot of Matt’s digital and commercial work (such as Victorious) so it was great to see his more personal work. The two images complemented each other well with emotive seaside scenes shot locally. Great to see film well represented in the exhibition. Next door on the wall was a series of film-noir inspired portraits by University of Portsmouth student Harry Murphy. This small wall right from the get go showed the incredible diversity of work produced for the exhibition and the different backgrounds of the contributors.
Work by Matt Ankers.
Work by Harry Murphy.
Another eye catching and intriguing panel was by Deborah Holton. The panel of 4 matched images showed x-ray collections of objects found on beach walks, going back over a decade or more. Each individual beach collection was kept in a 35mm film canister and could consist of beach glass, stones, sand and more. The idea behind the project and the dedication and composition consistency elevated this work to a highly conceptual piece that I’m sure inspired a few people to consider striking up their own ambitious concepts and projects in the future.
Work by Deborah Holton.
Also in this space were works by Andrew Hayward whose photography we’ve featured on a few occasions on Strong Island. On display were a small set of Andrew’s personal project capturing the oasis feel of service stations at night (also recently exhibited in a solo show with Aspex Gallery and Portsmouth Guildhall). The different garages shot in the same compositional style created a sense of consistency in the panel, drawing the eye in to discover more about the lit forecourts and bringing to mind the memories of late night road trips with friends and finding a sanctuary of fuel for the car and for the passengers. We’re actually exhibiting Andrew’s latest project in Strong Island Co very soon, keep an eye out for details.
Also shown in the room was work by Billie Cawte with her series of photos of projections shot around Portsmouth. These carefully considered images matched a location with a projection of a vintage image, shot at night, instilling a sense of continuity of a sense of place extending beyond normal, individual perceptions of time. These also, in a pleasantly strange way, bring to life forgotten functional corners of buildings. There was lots more to see in this space with other work by local photographers, I spent a little more time looking around before moving in to the large, open main exhibition space.
Straight away it was great to see the place so busy. It was early-ish on the Saturday night and the place was full of people of all ages checking out the work and chatting. Its always great to take a step back in an exhibition and just see people enjoying it. There is way too much work to go through individually here but a few panels really caught my eye for very different reasons. In one corner were a series of 360 images taken by Guilhem Brandy which showed different, familiar, spots around the city in an interesting new way. Changing up perspectives of familiar places is something I personally really like and this series from Albert Road, Southsea Seafront, Garrison Church and Guildhall Square drew you in to find out more.
One of the many great things about a shared exhibition is that the work touches on so many different subjects, drawing out many different thoughts and feelings from the people viewing the work. In a matter of a few steps you could take in the B&W film street photography by Matt Maber exploring the physical, social and cultural boundaries of Fratton Park on a Saturday afternoon through to the questioning and bold nudes by Ashton Keiditsch. In particular the powerful image of a lady with a partial mastectomy meant that the exhibition tackled some heavyweight subjects and these honest and questioning portraits looking at contemporary body image issues rightly raised discussion. The work reminded me of the recent series by Bryan Adams and also The Battle We Didn’t Choose.
Work by Ashton Keiditsch.
Also panels that caught the eye included: the photos of Diana Goss whose work has a foot in each of her professions: photography and psychotherapy, the long exposures by both Elmer Maniebo and Jon Neil, the portraits by Aaron Bennett, the views on old age by Yasmin Collins and so, so much more. Hopefully the photos below give you a glimpse.
If you want to see the work in person the exhibition is open until Friday from 12pm to 2pm. Check the Coastguard Studio Facebook page for more information HERE.
Ian Parmiter recently found this photo at a sign makers on one of his many travels. A Facebook debate has already begun as to it’s original whereabouts. Any ideas?
Here are a few photos from a walk down to the pier on Wednesday during the snowfall. There are some more over on Forever Circling.
Soaring 170 metres above Portsmouth Harbour and the Solent, the Spinnaker Tower is taller than the London Eye, Blackpool Tower and Big Ben and has already established itself as a national icon for Britain. Get yourself down to Gunwharf Quays and check out the panoramic views over the city and the Solent. Don’t forget your camera. Oh, and if you’re a Portsmouth resident you get cheap entry if you provide proof.
We will have loads of photos and stories from Sunday’s hugely successful Strong Island Bike Ride and to get started we have some huge panoramics taken by George Crick. Sadly we can only show some of the small versions here that do not do them justice so be sure to visit George’s website to see the all of the photos in full size, and spot yourselves in there!
George’s panoramics will be available to buy in Wallspace Gallery in Albert Road from Saturday for a bargain price of just £35.
Portsmouth’s Carl Partridge is a local artist and photographer currently studying MA Communication Design up in that there London at Central St Martins. As well as all the awesome artwork on his website we particularly liked his Lomo Diana photos from round Portsmouth and the Isle of Wight. Be sure to look through the good work over at www.carlpartridge.co.uk.
I’m not a BMXer and only cruised on my Raleigh Burner to get to skate spots when I was young, but i’ve always had huge admiration the those guys. They’re freakin’ nuts. I remember Freestylin’ mag when I was younger and would always have a flick through if I could. I loved the whole style thing surrounding BMXing in the 80’s. Mag wheels, crazy colour co-ordinated bikes and big attitude.
Well, you can relive all the that, at least to a visual extent, in the form of the Freestylin’ book. Some of you may have already seen this but may not know you can download the 158 page PDF here.
Go straight to page 106 for an article on Craig Campbell at Southsea Skatepark. Sick.
I’m really digging this Tea Towel they have for sale down Clarence Pier. Great little illustrations of some of our more recognisable landmarks and modes of travel. A great addition to any kitchen.
Bored Manager Tom sent us over this original Skatepark article and poster. It doesn’t get more back in the day than this really. The original proposal plan and the opening day poster. At last Skateboard Paradise. Truly amazing. The article is quite small, but I zoomed it to read back the first paragraph.
‘Skatepark plan caters for all plus band and roller skating. Fast elevated runs and steep twisting slalom – like tracks for the advanced skateboarder, are a design feature of the £60,000 skateboard arena proposed for Southsea Common’
Here’s an interesting little blog I stumbled upon. Inksquatch are a collective of Portsmouth based artists, illustrators and designers that comprises of four people working on anything from books, maps, sculptures, bags, badges, you name it from the sound of things. Check out their BLOG and WEBSITE for more info.
Southsea Flats by Cat