The dockyards, taken on 18th July 1914. The dockyards and harbour are quiet as almost all the ships are anchored at Spithead ready for the Royal review by King George V.
(Click to see larger image)
I’m really digging this Tea Towel they have for sale down Clarence Pier. Great little illustrations of some of our more recognisable landmarks and modes of travel. A great addition to any kitchen.
Marcus Hunt has rigged together an amazing radio controlled camera set up with a kite which allows him to capture photos of local places in and around Portsmouth with a unique perspective. Unlike photos from aeroplanes, the kite allows for photos from low altitudes giving way more detail. To see loads more than the photos below be sure to spend some time looking through Marcus’ Kite photo Flickr set.
The Kings Theatre in Southsea is continuing is restorations, this afternoon they were taking the roof top away, we’re assuming for some repairs and maintenance work.
We’ve featured many local artists, photographers, filmmakers, designers & makers under the Created Local series for many years (over 100 in the last 6 years), profiling work touching on many, many different subjects. Immy Smith’s background, artwork and working environment is something a little different.
Immy Smith is a rare creative, working in what initially might be thought of as two different worlds: one foot in science, the other in art. With a PhD in Pharmacology plus a strong arts background Immy has recently been working in the Cellular & Molecular Neuro-Oncology (Brain Tumour) Research laboratories at the University of Portsmouth on a 10 month residency which looks at how to foster better and more creative working relationships between medical science and the arts. The residency, funded by the Leverhulme Trust, aims specifically to create a sense of collaboration with not just laboratory staff but also the patients effected by brain tumours, which kill more children and adults under the age of 40 than any other cancer.
“The project I’m working on here at the Brain Tumour Research lab is a Leverhulme artists residency where I work in the lab making art alongside science researchers. Our project aims to tell the story of brain tumour patients, scientists and clinicians, through art. We want to make these stories accessible and share the unique challenges of brain tumours with a wider audience to help raise awareness of this devastating disease.” – Immy Smith
Working within the laboratory environment sees the research staff and artists working in a shared space, with artwork becoming a part of the laboratory environment. The relationship allowing for artistic insight in to the latest treatment research and the scientist an appreciation of creative processes and different patterns of thought. The project has included workshops with scientists as well as patients, collecting stories and aiming to “fill the gap in understanding”; having perspective on cancer analogies, unique sensory & cognitive effects of these tumours due to their location in the brain and patterns of cells and diagnosis & treatment. The creative work aims to engage with all and to broaden the horizons and enhance the skills of both artist & scientists, through this particular interdisciplinary research.
Immy’s work includes ‘Heterogeneity Experiment: Ink, SciArt, and Brain Tumour Heterogeneity’ which explores heterogeneity between brain tumours, through making art at the lab bench. The ingredients used are primarily inks – ultramarine and magenta. Other constituents include water and lab filters. Every filter contains both colours. From this limited palette of ingredients are made an array of unique patterns – more than 120 of them. The components are few but the outcomes are complex, heterogeneous:
“The cellular components of your brain are primarily neurons and glial cells. Neurons get a lot of the limelight, however glial cells – including astrocytes and oligodendrocytes – play a crucial role in brain function, and neurons are lost without them. Other constituent cells include pericytes and endothelial cells in the brain’s blood vessels, microglia (immune cells), and ependymal cells (which line brain ventricles). From a limited palette of cellular ingredients, all the fascinating machinery of your brain is created.” – Immy Smith
Another part of work produced during this pilot project are Immy’s Ugly Objects experiments:
“Some of the scientists here expressed a wish to depict brain tumours as something ugly – rather than using images of cells which are often quite beautiful. While this project is about using recognisable or non-exclusive imagery (so I wouldn’t use scientific images of cells anyway) it raised many interesting ideas. I previously discussed the scientists feelings of the dread and awfulness, that they associate personally with brain tumours as cancers. Another interesting idea was; what is ugly? Is what we perceive as ‘ugly’ in any way universal? What are common features in people’s descriptions of ugly? Can we use this as something recognisable, something not exclusive to science or art, with which to communicate about brain tumours? I don’t know the answers to these questions, but I know it’s harder to draw ugly than you might think.” – Immy Smith
Immy is working towards an upcoming public exhibition, with permission to use the event to fundraise for the charity Brain Tumour Research. We’ll let you know more details on the upcoming exhibition and the work included soon. For now, if you are interested in finding out more about Immy’s work you can visit her websites below:
…the boys enjoy a sit down at the seafront on a Sunday. Photo courtesy of the ever busy Quiet Corners lensman Paul Gonella. Perfect days, albeit still cold.
The Hiscock Gallery on Stanley Street behind Waitrose has some interesting new vintage style prints in stock by local artist David Thompson. They are a series of digitally drawn images reflecting upon 1930 – 1950s style advertising posters, enhanced with modern techniques. A really nice simplistic approach highlighting the main features of the subject, yet still very technical and intricate in places. The front of The Victory is awesome.
All reproductions are genuine giclée prints, printed with pigment based inks on 180gms Canon Matte paper, fade resistant for 100+ years. These “Poster” Prints are all personally signed by the artist. Head on over to Davids Gallery and take a look for yourself. Nice stuff for sure.
Snow hit Southsea pretty hard last night and it snowing again this morning. Good luck to everyone battling the elements to get to work, college, school, etc today. Here are a few photos from last night, if you have any please pop a link to them in the comments, we would love to see them.
Adam Wintle (see more here):
Elizabeth Bick (see more here):
It has been on the cards for a while now but finally yesterday the old Roller Hockey Club House at Southsea Skatepark was torn down. It had become unstable and hadn’t been used for a while. I was lucky enough to gain entry back last year and took a few photographs. If anybody has any old photographs of the club house seen in better times then please let us know.
Lots of exciting plans at the Skatepark so watch this space.
This photo of Cody taking a leap of faith form the club house roof has always been a winner in my book.
At some point between the wars this was taken during a cycle race at the Alexandra Park velodrome up in Tipner, which is still there.
(Click on image to see a larger version)