This June the 12th to the 14th will see the Portsmouth Scooter Weekend hit town at Moneyfields Avenue Social Club. With stalls, food, music, camping and off course the custom show, it should have everything for the scooter fanatic in you.
A familiar and friendly face around Albert Road, Diana Goss is a freelance creative portrait photographer with her own studio and whilst based in Southsea is often found all over Portsmouth as well as Bournemouth and Brighton too. Specialising in both Fashion and Boudoir work (see www.laboudoir.co.uk), and going by her website (www.notmagnum.co.uk) and Flickr obviously enjoys any type of people portraiture both in the studio and outside at such events as Goodwood Revival, music shows, weddings and even equine work. Not only that but you most likely have seen a few of her common props around town, a 1960’s Bentley, a 1955 Oldsmobile in red with red leather seats and a 1960’s red Pontiac!
Some of Diana’s work is available in Albert Road in Matt Sills’s Wallspace gallery (you may have also picked up a few free prints during the last Albert Road day) and if you’re interested in any commission work such as model shoots and portfolios, event photography or are interested in modelling for one of Diana’s photography projects give Diana a shout via email.
This is a cross processed film shot Diana took of the Wallspace Gallery with her namesake camera, a Lomo Diana and below that are a few more examples of her work:
Anyone who was out in Southsea and some surrounding areas would have witnessed the rolling fog that made it’s way inland this Sunday. Creeping past the Isle of Wight and finally making it’s way to the beach and taking people by total surprise. Hundreds of people were out having BBQs and generally enjoying the sun when all of a sudden things got weird when you could see your breath in the air and pockets of mist were passing right in front of your eyes. It’s rare to see this during day and normally only occurs first thing in the morning, so this was pretty cool to see.
Soaring 170 metres above Portsmouth Harbour and the Solent, the Spinnaker Tower is taller than the London Eye, Blackpool Tower and Big Ben and has already established itself as a national icon for Britain. Get yourself down to Gunwharf Quays and check out the panoramic views over the city and the Solent. Don’t forget your camera. Oh, and if you’re a Portsmouth resident you get cheap entry if you provide proof.
We’ve featured many local artists, photographers, filmmakers, designers & makers under the Created Local series for many years (over 100 in the last 6 years), profiling work touching on many, many different subjects. Immy Smith’s background, artwork and working environment is something a little different.
Immy Smith is a rare creative, working in what initially might be thought of as two different worlds: one foot in science, the other in art. With a PhD in Pharmacology plus a strong arts background Immy has recently been working in the Cellular & Molecular Neuro-Oncology (Brain Tumour) Research laboratories at the University of Portsmouth on a 10 month residency which looks at how to foster better and more creative working relationships between medical science and the arts. The residency, funded by the Leverhulme Trust, aims specifically to create a sense of collaboration with not just laboratory staff but also the patients effected by brain tumours, which kill more children and adults under the age of 40 than any other cancer.
“The project I’m working on here at the Brain Tumour Research lab is a Leverhulme artists residency where I work in the lab making art alongside science researchers. Our project aims to tell the story of brain tumour patients, scientists and clinicians, through art. We want to make these stories accessible and share the unique challenges of brain tumours with a wider audience to help raise awareness of this devastating disease.” – Immy Smith
Working within the laboratory environment sees the research staff and artists working in a shared space, with artwork becoming a part of the laboratory environment. The relationship allowing for artistic insight in to the latest treatment research and the scientist an appreciation of creative processes and different patterns of thought. The project has included workshops with scientists as well as patients, collecting stories and aiming to “fill the gap in understanding”; having perspective on cancer analogies, unique sensory & cognitive effects of these tumours due to their location in the brain and patterns of cells and diagnosis & treatment. The creative work aims to engage with all and to broaden the horizons and enhance the skills of both artist & scientists, through this particular interdisciplinary research.
Immy’s work includes ‘Heterogeneity Experiment: Ink, SciArt, and Brain Tumour Heterogeneity’ which explores heterogeneity between brain tumours, through making art at the lab bench. The ingredients used are primarily inks – ultramarine and magenta. Other constituents include water and lab filters. Every filter contains both colours. From this limited palette of ingredients are made an array of unique patterns – more than 120 of them. The components are few but the outcomes are complex, heterogeneous:
“The cellular components of your brain are primarily neurons and glial cells. Neurons get a lot of the limelight, however glial cells – including astrocytes and oligodendrocytes – play a crucial role in brain function, and neurons are lost without them. Other constituent cells include pericytes and endothelial cells in the brain’s blood vessels, microglia (immune cells), and ependymal cells (which line brain ventricles). From a limited palette of cellular ingredients, all the fascinating machinery of your brain is created.” – Immy Smith
Another part of work produced during this pilot project are Immy’s Ugly Objects experiments:
“Some of the scientists here expressed a wish to depict brain tumours as something ugly – rather than using images of cells which are often quite beautiful. While this project is about using recognisable or non-exclusive imagery (so I wouldn’t use scientific images of cells anyway) it raised many interesting ideas. I previously discussed the scientists feelings of the dread and awfulness, that they associate personally with brain tumours as cancers. Another interesting idea was; what is ugly? Is what we perceive as ‘ugly’ in any way universal? What are common features in people’s descriptions of ugly? Can we use this as something recognisable, something not exclusive to science or art, with which to communicate about brain tumours? I don’t know the answers to these questions, but I know it’s harder to draw ugly than you might think.” – Immy Smith
Immy is working towards an upcoming public exhibition, with permission to use the event to fundraise for the charity Brain Tumour Research. We’ll let you know more details on the upcoming exhibition and the work included soon. For now, if you are interested in finding out more about Immy’s work you can visit her websites below:
Old University friend Tom Hall sent me over a link to his extremely talented and prolific girlfriend Caleigh Illerbrun’s online portfolio www.caleigh-ill.com. With illustration, painting and 3 dimensional work firmly tucked under her belt Caleigh has an impressive amount of work on her site, some of which is up for grabs. Currently selling coasters over in her SHOP, Caleigh needs a little help identifying the favourites as she has an advert coming out soon in a magazine.
I’m loving the ‘Wood Tree’ coaster set below, and very much so the ‘Bearlamb’ acrylic & pen at the bottom. You can also follow Caleigh on Facebook and also her blog.
We’ve not had a vintage photograph for quite a while on Strong Island, and this one is a winner. This photo of the Round Tower in Old Portsmouth was taken in 1958 by Mark Kauffman for LIFE Magazine. Click this LINK for a larger version.
Marcus Hunt has rigged together an amazing radio controlled camera set up with a kite which allows him to capture photos of local places in and around Portsmouth with a unique perspective. Unlike photos from aeroplanes, the kite allows for photos from low altitudes giving way more detail. To see loads more than the photos below be sure to spend some time looking through Marcus’ Kite photo Flickr set.
Back in the 80s and early 90s Southsea would regularly be on the list of skateparks visited by American skaters as they toured the UK and Europe. Sometime around 1990ish the pool was built to replace the old reservoir at the end of the slalom and not long after American pro skater Ben Schroeder came through and (figuratively) destroyed the new bowl and the halfpipe, so much so that his frontside ollie transfer out of the bowl, over the platform and landing in the steep bank is legendary.
To cut a long story short Ben got in contact recently with some footage from the day. I’m going to go through the old skate magazine archives and hunt around for photos but for now, here is that footage. To find out more about Ben check out his Juice Magazine interview.