…the boys enjoy a sit down at the seafront on a Sunday. Photo courtesy of the ever busy Quiet Corners lensman Paul Gonella. Perfect days, albeit still cold.
You know we love a bit of vintage nostalgia here at Strong Island, and these old postcards of Clarence Pier are no exception. I always pick them up at the Car Boot sale opposite Clarence when I see one. When does the Car Boot start up again? Got to be soon. Answers on a postcard…
The dockyards, taken on 18th July 1914. The dockyards and harbour are quiet as almost all the ships are anchored at Spithead ready for the Royal review by King George V.
(Click to see larger image)
The Creating Balance Project exhibition’s current residency at the Pitfield Pop-Up in Winchester ends today with the exhibition receiving some really great comments and coverage on websites, etc. Below are some photos by our own Claire Sambrook from a recent visit when many of the project’s artist/designer/photographer participants went up for a look. See more of Claire’s Creating Balance Project photos over on here Flickr.
The Creating Balance Project exhibition will return home to Portsmouth on the 10th of January 2014 for an extended exhibition at Aspex Gallery in Gunwharf, with an opening party and a series of other events and activities to be announced very soon. Ourselves and Anglepoise® are all really looking forward to showing the project to everyone in Portsmouth very soon!
To find out more about the project and exhibition please visit:
20 years!!!! That has to go in the books as Southsea longest running night? Give or take, most people you bump in to have been to a least one Chaos night, and most spent a grimy late one down the pier dancing like idiots and spilling Newcastle Brown all over the place. I’ve a lot of fond memories of the earlier days at Chaos, mostly after skating and sitting in the pub saying I’m not going. Not this week. Then 8 pints later jumping in a taxi…
If you have any stories or cool photos from Chaos we’d love to see them. Or even some of the old flyers. There have been some pretty interesting designs over the years. I’ll always remember the photo flyer of the kid on the dance floor with a girl and his ‘wandering hands’.
Jay Dunstan got in contact and had this to say:
“To coincide with our 20th Birthday on Saturday 26th November – we’re announcing that this will be the last ever “Chaos”.
Starting in 1991 at South Parade Pier, moving to the Wedgewood rooms in 2008 – we’ve been crowned the South Coasts longest running Independent Club night, winning The Guide Awards “Best club night”, “Best DJs” (x 2) and the promoters Ped & Jay being awarded a special award for contribution to the Portsmouth Music Scene. Chaos has provided Dj’s and club nights at Guilfest, Southsea Fest & Isle of Wight Festivals.
Having been a constant in our lives and the Portsmouth clubbing & music scene for 2 decades – Its been a very tough decision to stop the regular club night. But we feel that now is the best time to unplug the speakers for the last time.
Chaos was always quite literally about being ‘alternative’ – alternative in music policy, but also offering an alternative to the traditional and mainstream clubs. Our ethos was always simple – play music we liked, to people to we liked & do it prime time on a Saturday night 52 weeks a year!
Our feeling is that the current scene is very different now and although still loving every element of the gigs, festivals and guitars – a regular club night offering everything we did, now isn’t whats required. Clubbers will always want an alternative, but the music scene is now so split and venues, pubs & clubs are all competing for survival – we felt it was a good opportunity to step back, take a deep breath & raise a glass to rock n roll!
We want to thank everyone who has contributed to the success of Chaos over the last 20 years – venue managers, bar staff & door stewards – sound & light technicians – – street teams – performers & bands and of course the roll call of DJ’s past & present that have provided the soundtrack to so, so, so many silly, drunken and above all fun Saturday nights.
Hey ho, lets go!”
The 20th Birthday & Last EVER Chaos – Saturday 26th November 2011
Flyer: Chaos Flickr
Marcus Hunt has rigged together an amazing radio controlled camera set up with a kite which allows him to capture photos of local places in and around Portsmouth with a unique perspective. Unlike photos from aeroplanes, the kite allows for photos from low altitudes giving way more detail. To see loads more than the photos below be sure to spend some time looking through Marcus’ Kite photo Flickr set.
The Round Tower in Old Portsmouth is an often visited landmark but few people get a look at what lies inside those walls. On Friday a few lucky members of The Solent Camera Club (on one of it’s Friday evening meets) were able to explore it’s cavernous interior including the brick arches, rusted cannons and stalactites.
Photos kindly supplied by Duncan Allan.
Coastguard Studio this past weekend was host to it’s fifth (if I remember right) exhibition in a matter of six months or so, this one being a spin-off show to to the hugely successful Under the Spotlight exhibition earlier this year. Under the Spotlight | Photography brought together 30 photographers who are either based in Portsmouth or have strong ties with the city and the large open plan gallery space was packed full of diverse and engaging work.
I started off in the bar area, grabbing a beer and then checking out the panels lining the walls to this back space of Coastguard Studio. The first series that caught the eye were a pair of medium format, multiple exposures by Matt Ankers. I’ve seen a lot of Matt’s digital and commercial work (such as Victorious) so it was great to see his more personal work. The two images complemented each other well with emotive seaside scenes shot locally. Great to see film well represented in the exhibition. Next door on the wall was a series of film-noir inspired portraits by University of Portsmouth student Harry Murphy. This small wall right from the get go showed the incredible diversity of work produced for the exhibition and the different backgrounds of the contributors.
Work by Matt Ankers.
Work by Harry Murphy.
Another eye catching and intriguing panel was by Deborah Holton. The panel of 4 matched images showed x-ray collections of objects found on beach walks, going back over a decade or more. Each individual beach collection was kept in a 35mm film canister and could consist of beach glass, stones, sand and more. The idea behind the project and the dedication and composition consistency elevated this work to a highly conceptual piece that I’m sure inspired a few people to consider striking up their own ambitious concepts and projects in the future.
Work by Deborah Holton.
Also in this space were works by Andrew Hayward whose photography we’ve featured on a few occasions on Strong Island. On display were a small set of Andrew’s personal project capturing the oasis feel of service stations at night (also recently exhibited in a solo show with Aspex Gallery and Portsmouth Guildhall). The different garages shot in the same compositional style created a sense of consistency in the panel, drawing the eye in to discover more about the lit forecourts and bringing to mind the memories of late night road trips with friends and finding a sanctuary of fuel for the car and for the passengers. We’re actually exhibiting Andrew’s latest project in Strong Island Co very soon, keep an eye out for details.
Also shown in the room was work by Billie Cawte with her series of photos of projections shot around Portsmouth. These carefully considered images matched a location with a projection of a vintage image, shot at night, instilling a sense of continuity of a sense of place extending beyond normal, individual perceptions of time. These also, in a pleasantly strange way, bring to life forgotten functional corners of buildings. There was lots more to see in this space with other work by local photographers, I spent a little more time looking around before moving in to the large, open main exhibition space.
Straight away it was great to see the place so busy. It was early-ish on the Saturday night and the place was full of people of all ages checking out the work and chatting. Its always great to take a step back in an exhibition and just see people enjoying it. There is way too much work to go through individually here but a few panels really caught my eye for very different reasons. In one corner were a series of 360 images taken by Guilhem Brandy which showed different, familiar, spots around the city in an interesting new way. Changing up perspectives of familiar places is something I personally really like and this series from Albert Road, Southsea Seafront, Garrison Church and Guildhall Square drew you in to find out more.
One of the many great things about a shared exhibition is that the work touches on so many different subjects, drawing out many different thoughts and feelings from the people viewing the work. In a matter of a few steps you could take in the B&W film street photography by Matt Maber exploring the physical, social and cultural boundaries of Fratton Park on a Saturday afternoon through to the questioning and bold nudes by Ashton Keiditsch. In particular the powerful image of a lady with a partial mastectomy meant that the exhibition tackled some heavyweight subjects and these honest and questioning portraits looking at contemporary body image issues rightly raised discussion. The work reminded me of the recent series by Bryan Adams and also The Battle We Didn’t Choose.
Work by Ashton Keiditsch.
Also panels that caught the eye included: the photos of Diana Goss whose work has a foot in each of her professions: photography and psychotherapy, the long exposures by both Elmer Maniebo and Jon Neil, the portraits by Aaron Bennett, the views on old age by Yasmin Collins and so, so much more. Hopefully the photos below give you a glimpse.
If you want to see the work in person the exhibition is open until Friday from 12pm to 2pm. Check the Coastguard Studio Facebook page for more information HERE.