We’ve featured many local artists, photographers, filmmakers, designers & makers under the Created Local series for many years (over 100 in the last 6 years), profiling work touching on many, many different subjects. Immy Smith’s background, artwork and working environment is something a little different.
Immy Smith is a rare creative, working in what initially might be thought of as two different worlds: one foot in science, the other in art. With a PhD in Pharmacology plus a strong arts background Immy has recently been working in the Cellular & Molecular Neuro-Oncology (Brain Tumour) Research laboratories at the University of Portsmouth on a 10 month residency which looks at how to foster better and more creative working relationships between medical science and the arts. The residency, funded by the Leverhulme Trust, aims specifically to create a sense of collaboration with not just laboratory staff but also the patients effected by brain tumours, which kill more children and adults under the age of 40 than any other cancer.
“The project I’m working on here at the Brain Tumour Research lab is a Leverhulme artists residency where I work in the lab making art alongside science researchers. Our project aims to tell the story of brain tumour patients, scientists and clinicians, through art. We want to make these stories accessible and share the unique challenges of brain tumours with a wider audience to help raise awareness of this devastating disease.” – Immy Smith
Working within the laboratory environment sees the research staff and artists working in a shared space, with artwork becoming a part of the laboratory environment. The relationship allowing for artistic insight in to the latest treatment research and the scientist an appreciation of creative processes and different patterns of thought. The project has included workshops with scientists as well as patients, collecting stories and aiming to “fill the gap in understanding”; having perspective on cancer analogies, unique sensory & cognitive effects of these tumours due to their location in the brain and patterns of cells and diagnosis & treatment. The creative work aims to engage with all and to broaden the horizons and enhance the skills of both artist & scientists, through this particular interdisciplinary research.
Immy’s work includes ‘Heterogeneity Experiment: Ink, SciArt, and Brain Tumour Heterogeneity’ which explores heterogeneity between brain tumours, through making art at the lab bench. The ingredients used are primarily inks – ultramarine and magenta. Other constituents include water and lab filters. Every filter contains both colours. From this limited palette of ingredients are made an array of unique patterns – more than 120 of them. The components are few but the outcomes are complex, heterogeneous:
“The cellular components of your brain are primarily neurons and glial cells. Neurons get a lot of the limelight, however glial cells – including astrocytes and oligodendrocytes – play a crucial role in brain function, and neurons are lost without them. Other constituent cells include pericytes and endothelial cells in the brain’s blood vessels, microglia (immune cells), and ependymal cells (which line brain ventricles). From a limited palette of cellular ingredients, all the fascinating machinery of your brain is created.” – Immy Smith
Another part of work produced during this pilot project are Immy’s Ugly Objects experiments:
“Some of the scientists here expressed a wish to depict brain tumours as something ugly – rather than using images of cells which are often quite beautiful. While this project is about using recognisable or non-exclusive imagery (so I wouldn’t use scientific images of cells anyway) it raised many interesting ideas. I previously discussed the scientists feelings of the dread and awfulness, that they associate personally with brain tumours as cancers. Another interesting idea was; what is ugly? Is what we perceive as ‘ugly’ in any way universal? What are common features in people’s descriptions of ugly? Can we use this as something recognisable, something not exclusive to science or art, with which to communicate about brain tumours? I don’t know the answers to these questions, but I know it’s harder to draw ugly than you might think.” – Immy Smith
Immy is working towards an upcoming public exhibition, with permission to use the event to fundraise for the charity Brain Tumour Research. We’ll let you know more details on the upcoming exhibition and the work included soon. For now, if you are interested in finding out more about Immy’s work you can visit her websites below:
Southsea web designer and photographer Adam Wintle has recently been taking some really nice photos of the Southsea promenade lights and of the pier at night. Be sure to look through his Flickr for loads more great photos.
Portsmouth’s Pounds scrapyard has been the final stop for the lives of many military vehicles over the years but most noticeable it has been the location for a submarine graveyard. So iconic was the sight of the submarines as you entered Portsmouth that they became the inspiration for the architect when designing the new swimming pool at the Mountbatten Centre.
Robin Hinson has a large collection of photos of the scrapped submarines here, with a few shown below.
Tom Time Waster © just put a few more photos from last months snow day in Portsmouth. Cool photos as always, but I focused on the spills and slams. We saw some kids take proper slams that day. Lots of broken tailbones for sure. Good times.
The other day I got to go up on to the roof of a house on Western parade with a great view over the common, Southsea and The Solent. Always interesting seeing Southsea in new ways. Below are some photos (click on ‘Read More’ to see more plus there are more over on Forever Circling).
A new book called ‘Portsmouth from Family Archives’ has just been published. Brothers Jonathan and Matthew Ring started developing the book last summer. All the photographs included in the book were from their grandparents. They spent a great deal of time compiling, scanning and restoring slides and film from 1950s to 2006, including behind the scenes filming in Portsmouth.
The 100-page book is available online at Amazon. Bonzo Studio and Southsea Gallery on Albert Road, Southsea are currently selling it, and they hope other shops will sell it too. They are also planning to do the summer market at the Square Tower, Old Portsmouth.
“It’s been great fun, and such hard work keeping it a secret from everyone! We hope everyone enjoys the book and the photos inside it as much as we did.”
Photos below – A photo of Jonathan Ring, their Grandmother and Matthew Ring; unveiling the book to their grandparents; book cover and the slides.
Facebook group can be found here: https://www.facebook.com/pages/Portsmouth-From-Family-Archives/164827033632175
A recent arrival to Portsmouth, Eamon Lane has been out and about the city recently shooting photos on the street and at local events such as Love Your Bike. Below are a few examples of Eamon’s photography, visit I Love Slugs to see more.
Based in Chichester but a constant visitor to Southsea, Portsmouth, Hayling and all of the Chichester harbour area, David Jacobs’ photos capture the warmth of the local light and and the inspiring natural views of the local landscape and coastline. To see more of David’s photos be sure to click ‘Read More’ below and check David’s Flickr.
What amazing weather we’ve been having as of late. I even rode the full 8 miles home in the sun on Friday. We all had a great weekend spent on the common, riding our bikes, skateboarding and generally eating and drinking the days away.